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Chord progression
‖:
BM7Abm7
EM7C#m7
CM7#11
CM7#11
:‖‖:
FM7#11CM7#11
FM7#11
CM7#11
FM7#11
:‖A
BM7D7
GM7Bb7
EbM7
Am7D7
GM7Bb7
EbM7F#7
BM7
Fm7Bb7
EbM7
Am7D7
GM7
C#m7F#7
BM7
Fm7Bb7
EbM7
‖:
C#m7F#7BM7Abm7
EM7C#m7
CM7#11
CM7#11
:‖‖:
FM7#11CM7#11
FM7#11
CM7#11
FM7#11
:‖Chord progressions sourced from community-uploaded data for educational practice. Used in good faith for learning purposes.
Recordings
Same chord changes
(1 contrafact)Tunes you can blow over with the same vocabulary.
Similar tunes — sorted by match strength
(?)
Tunes are scored by shared chord-progression vocabulary. The label (e.g. ‘Coltrane changes’, ‘ii–V heavy’) explains why two tunes are related. The dots show how strong the match is — 5 dots = near-identical changes, 1 dot = loose harmonic kinship.
Match strength
- Reincarnation Of A LovebirdCharles MingusColtrane changesColtrane changes●●○○○
- DoloresWayne Shorter●○○○○
- SatelliteJohn ColtraneColtrane changesColtrane changes●○○○○
- SpiralJohn Coltrane●○○○○
- NardisMiles DavisColtrane changesColtrane changes●○○○○
- TricotismOscar PettifordColtrane changesColtrane changes●○○○○
- You'd Be So Nice To Come Home ToCole Porter●○○○○
- Strollin'Horace Silver●○○○○
- The DolphinLuiz EcaColtrane changesColtrane changes●○○○○
- You're My ThrillJay GorneyColtrane changesColtrane changes●○○○○
- All Or Nothing At AllArthur Altman●○○○○
- Black NileWayne Shorter●○○○○
- OnmoKenny WheelerColtrane changesColtrane changes●○○○○
- Stompin' At The SavoyWebb-Goodman-SampsonColtrane changesColtrane changes●○○○○
- IncentiveHorace Silver●○○○○