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Chord progression
‖:
FM7
Fm7(Bbm7)Bb7(Eb7)
Am7Gm7
F#m7B7
Fm7
Bb7
Am7D7
Abm7Db7
Gm7
Dbm7Gb7
FM7/C
FM7/C
FM7/C
A
x <S°l°s:>
:‖FM7
Fm7(Bbm7)Bb7(Eb7)
Am7Gm7
F#m7B7
Fm7
Bb7
Am7D7
Abm7Db7
Gm7
Dbm7Gb7
FM7
FM7
Chord progressions sourced from community-uploaded data for educational practice. Used in good faith for learning purposes.
Recordings
Similar tunes — sorted by match strength
(?)
Tunes are scored by shared chord-progression vocabulary. The label (e.g. ‘Coltrane changes’, ‘ii–V heavy’) explains why two tunes are related. The dots show how strong the match is — 5 dots = near-identical changes, 1 dot = loose harmonic kinship.
Match strength
- Sippin' At BellsMiles Davis●●●○○
- E.S.P.Wayne Shorter●●○○○
- The ChaseDexter Gordon●●○○○
- MinorityGigi Gryce●●○○○
- Eye of the HurricaneHerbie Hancock●●○○○
- ConfirmationCharlie Parker●●○○○
- HerzogBobby Hutcherson●●○○○
- Blues For AliceCharlie Parker●●○○○
- WabashCannonball Adderley●●○○○
- I'll See You In My DreamsJones-Kahn●●○○○
- Swinging At The HavenEllis Marsalis●●○○○
- Eternal TriangleSonny Stitt●●○○○
- CrosscurrentLennie Tristano●●○○○
- On The TrailFerde Grofe●●○○○
- Palo AltoLee Konitz●●○○○
- High FlyRandy Weston●●○○○
- Birk's WorksDizzy Gillespie●●○○○
- It's You Or No OneJule Styne●●○○○
- So In LoveCole Porter●●○○○
- AvalonJolson-Sylva-Rose●●○○○