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Chord progression
‖:
G7
G7
G7
G7
G7
G7
G7
A
EM)
:‖EbM7Bb7sus)
A13
DM7
Ab13b9
GM7
F#7b13
Bm7
CM7#11
Bm7
Bm7/A
G#ø7
Gm7C7
FM7
B7b9
BbM7
A7#9
B‖:
G7
G7
G7
G7
G7
G7
G7
EM)
:‖Chord progressions sourced from community-uploaded data for educational practice. Used in good faith for learning purposes.
Recordings
Similar tunes — sorted by match strength
(?)
Tunes are scored by shared chord-progression vocabulary. The label (e.g. ‘Coltrane changes’, ‘ii–V heavy’) explains why two tunes are related. The dots show how strong the match is — 5 dots = near-identical changes, 1 dot = loose harmonic kinship.
Match strength
- Yes And NoWayne Shorter●●○○○
- Catch MeJoe Pass●●○○○
- LithaChick Corea●●○○○
- JoshuaVictor Feldman●●○○○
- Nothing PersonalDon Grolnick●●○○○
- Tones For Joan's BonesChick Corea●●○○○
- AprilLennie Tristano●●○○○
- Fantasy in D (or Ugetsu)Cedar Walton●●○○○
- ImpressionsJohn Coltrane●●○○○
- Dear Old StockholmTraditional●●○○○
- All Or Nothing At AllArthur Altman●●○○○
- Get Me To The Church On TimeAlan Lerner●●○○○
- Inner UrgeJoe Henderson●●○○○
- ShutterbugJ.J. Johnson●●○○○
- Got A Match?Chick Corea●●○○○
- Bernie's TuneBernie Miller●●○○○
- Bill Bailey, Won't You Please Come HomeHughie Cannon●●○○○
- A Shade Of JadeJoe Henderson●●○○○
- LiberiaJohn Coltrane●●○○○
- Dear LordJohn Coltrane●●○○○